out October 9th, 2026

Comfort with ambiguity, dynamic experimentation and melancholy are rife throughout Brody Price’s newest record, Leaf Miner’s Daughter. Classic alt-country at its core, this collection meticulously weaves together Americana into sluggish, heavy grooves; overdriven guitars, hook-laden acoustic dissonance - all bolstered by a songwriter full of heart and intention. “Things fall apart and then I keep them around” serves as a beautifully understated mantra for the album, inviting reckoning and forgiveness through a journey of shame, denial, loss, and hope.

An integral member of the DIY touring community, Price has been quietly building a dedicated community of fans across the US since 2017, entirely independent and reliant on each other to build and shape the tours by word of mouth. With these scrappy years of touring came the release of a cassette recorded collection of country songs, and ‘What’s The Point In Trying’ (2017) quickly garnered notoriety among troubadours and indie rockers alike, growing his reach to both heroes and fans. The live show now is renowned, with Price having shared stages alongside Hayes Carll, Penny and Sparrow, Greg Freeman and Brennan Wedl.

Influenced by and now closely linked to his heroes of similar ilk (Centro-matic, Robert Ellis, Drive-By Truckers) Price is an intriguing, engaging and entirely satisfying narrator. Written throughout a particularly difficult year, he bound to the muse, ruminating obsessively. In the throes of alcoholism, in his own words, the album swallowed his life whole, and made the process of catching these songs wholly unsustainable. Despite the weight throughout its construction, the album is a musical and experiential panorama, overflowing with texture and unfiltered vulnerability. Whether by way of its culmination or his own humble fortitude, Price is now thirteen months sober. 

Following up the gorgeous and chaotic ‘Win A Trip To Palm Springs’ (2022), Price is tracing a sonic and narrative arc that feels specific, earnest and whimsical - not without its dark corners and deep questions. ‘Atrophy’ as the album kickoff is deliberate, setting tone and impact, inadvertently pointing to the project’s central focus: destruction, reform and rebirth. The lead single, ‘Beginnings’, pays homage to the classic alt-country playbook in its choruses, taking unexpected and delightful turns into dissonant chords and long instrumental musings in between. ‘Breathing Again’ tells the harrowing account of a shooting outside Price’s front door, burrowing into the subconscious with descending acoustic lines that mimic the aching repetition of grief as it sneaks up in quiet moments. This song feels particularly poignant, drawing a relevant image of a diverse and underserved community. Speaking on poverty and the south, Price says “it’s impossible not to paint the world around you”, aptly pointing to the album’s backdrop, every song taking place within a five mile radius of his home in the Oak Cliff neighbourhood of Dallas TX. 

Price makes use of a few real-life phone calls and clips from various media sources that give denouements and instrumental sections added tension, as we strain to hear dialogue through the layers. This is an effective tool to spark curiosity and attachment, further demonstrating his playfulness as a creator. The innate ability to find beauty among the rubble is rife throughout LMD, revealing an authentically tender desire to dig deeper to find relief and understanding. He invites us to empathize and sit alongside his turmoil in an effort to make ours more bearable. At home in his musicality and the discomfort of living, Price revels in the act of putting the pieces back together, giving us all permission to do the same.